Club Contacts

Paul Pfeiffer
The Saints, 2007
17-channel sound installation, two channel video loop projection with mono-audio, single-screen video loop, armature with lcd-monitor
dimensions variable
Installation view, Hamburger Bahnhof, Berlin, Staatliche Museen zu Berlin, Nationalgalerie
http://www.carliergebauer.com/artists/paul-pfeiffer/the-saints.html


Philippe Parreno and Douglas Gordon's film Zidane, a Twenty-First-Century Portrait.
http://artforum.com/video/id=22419&mode=large&page_id=7

Paul Sietsema. Film still from Figure 3. 2008. 16mm film (black and white and color, silent), 16 min. The Museum of Modern Art.
http://www.moma.org/visit/calendar/exhibitions/983



Dan Graham, Skateboard Pavilion, 1989.



Found Sporting Club


Sara Mackillop
10 in 12, 2009
10" record in 12" record sleeve
http://www.saramackillop.co.uk/Work.html


Stadium Lighting - Found image

Zero artists aimed to banish any trace of a personal style and instead bring elements of the non-art world into their work. Informed by new materials and technologies, and incorporating elements of light, fire, and water, Zero was characterized by an idealistic spirit of collaboration in pursuit of new concepts of light, movement, and energy. Working in an environment without galleries and contemporary art spaces, these artists came together to exhibit their work in a series of one-evening-only exhibitions, often staged in their studios. Manifestos were often published in association with the shows, such as “Zero 1” (1958), “Zero 2” (1958), and “Zero 3” (1961).